Links to recent published works here:

Macerata Opera Festival 2025 Review: Rigoletto

Q & A: Mimi Johnson, the Founder & Director of Performing Artservices (1972) & Lovely Music (1978), on Robert Ashley’s ‘Celestial Excursions’

Death of Classical 2025 Review: The Versailles Royal Opera Orchestra & Countertenor Franco Fagioli

Sofia Opera & Ballet 2025 Review: Tannhäuser

Sofia Opera & Ballet 2025 Review: Der Ring des Nibelungen

Carnegie Hall 2025 Review: Soprano Angel Blue & The Met Orchestra

Carnegie Hall 2025 Review: The Met Orchestra & Soprano Elza van den Heever

Metropolitan Opera 2024-25 Review: La Bohème (Spring Cast)

Metropolitan Opera 2024-25 Review: Die Zauberflöte

Brooklyn Youth Chorus 2025 Review: Port(al)

Q & A: Beth Morrison on PROTOTYPE Festival, NEXTGEN & the Power of Collaboration

Metropolitan Opera 2024-25 Review: The Magic Flute

Metropolitan Opera 2024-25 Review: La Bohème

Metropolitan Opera 2024-25 Review: Tosca

Documenting the Evolution of an Early Music Orchestra & the Innsbruck Festival

Teatro alla Scala 2023-24 Review: Werther

Teatro La Fenice 2023-24 Review: Ariadne auf Naxos

Q & A: Eva-Maria Sens on Leading Innsbruck Festival of Early Music & How Local Community Inspires at an International Level

Göteborg Opera 2024-25 Review: Carmen

Q & A: Göteborg Opera Artistic Director Henning Ruhe On What It Takes to Bring Opera Forward

Q & A: Christophe Rousset on Porpora’s ‘Ifigenia in Aulide’ & Les Talens Lyriques Orchestra at Bayreuth Baroque Opera Festival 2024

Metropolitan Opera 2023-24 Review: El Niño

Roulette Intermedium 2024 Review: Robert Ashley’s ‘Foreign Experiences’

Prototype Festival 2024 Review: Adoration

Prototype Festival 2024 Review: Malinxe

National Sawdust 2024 Review: Emruz Festival’s ‘Whispers of the Flesh’

Brooklyn Art Song Society 2023-24 Review: Circles IV – Les Six

Metropolitan Opera 2021-22 Review: Akhnaten

Q & A Compositional Study: Kevin Ramsay 'A Pin Drops Like A Pungent Odor' (2022)