LIVE PERFORMANCES
published articles
About Published Articles by Jennifer Pyron
Orange Mountain Music 2024 In Review: Philip Glass Solo
Studio Visit 2023: Zach Nader
Q & A Compositional Study: Kevin Ramsay 'A Pin Drops Like A Pungent Odor' (2022)
In Review 2022 Orange Mountain Records: Robert McDuffie
How Internal Transformation Transcends the Voice: Soprano Hera Hyesang Park
How Juilliard Thrives, Supports, & Evolves the Artist-Driven Educational Process
Q & A: Raquel Acevedo Klein, IONE, & Claire Chase
MetLiveArts 2019-2020 Review: The Mother of Us All
Q & A: Conductor Daniela Candillari on the Importance of 'The Mother of Us All'
La MaMa 2019-20 Review: Object Collection's 'You Are Under Our Space Control'
In Review: MetLiveArts “Ute Lemper: Weimar Holiday”
The Juilliard School 2019-20 Review: Così fan tutte
MetLiveArts 2018-2019 Review: Les Arts Florissants
Q & A: Tenor Joshua Dennis On Huang Ruo, Poul Ruders
Glyndebourne Festival 2019 Review: Cendrillon
Q&A: Moldovan Baritone Andrey Zhilikovsky On Cultivating Balance & Enjoying His Journey
Glyndebourne Festival 2019 Review: La Damnation de Faust
Glyndebourne Festival 2019 Review: Il Barbiere di Siviglia
New York Opera Fest 2019 Review: Divaria Productions' 'The Human Voice'
New York City Opera 2018-19 Review: Stonewall
The Juilliard School 2018-19 Review: Don Giovanni
The Santa Fe Opera Previews 'The Thirteenth Child' In NYC
MasterVoices 2018-19 Review: Lady in the Dark
Carnegie Hall 2018-19 Review: American Symphony Orchestra & Martinů’s ‘Julietta’
Interview: Pianist Mark Markham On Collaborating With Great Singers & Music's Power
Q & A: Timothy Myers About His Debut at Minnesota Opera and the World-Premiere of 'The Fix'
Juilliard Opera Theatre 2018-19 Review: Dido and Aeneas
NYC's The Kitchen 2019 Review: Robert Ashley's 'Improvement (Don Leaves Linda)'
Juilliard 2018-19 Review: The Turn of the Screw
music
Bandcamp
Classical Music
ALICE demos
Not in Print
contact
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LIVE PERFORMANCES
published articles
About Published Articles by Jennifer Pyron
Orange Mountain Music 2024 In Review: Philip Glass Solo
Studio Visit 2023: Zach Nader
Q & A Compositional Study: Kevin Ramsay 'A Pin Drops Like A Pungent Odor' (2022)
In Review 2022 Orange Mountain Records: Robert McDuffie
How Internal Transformation Transcends the Voice: Soprano Hera Hyesang Park
How Juilliard Thrives, Supports, & Evolves the Artist-Driven Educational Process
Q & A: Raquel Acevedo Klein, IONE, & Claire Chase
MetLiveArts 2019-2020 Review: The Mother of Us All
Q & A: Conductor Daniela Candillari on the Importance of 'The Mother of Us All'
La MaMa 2019-20 Review: Object Collection's 'You Are Under Our Space Control'
In Review: MetLiveArts “Ute Lemper: Weimar Holiday”
The Juilliard School 2019-20 Review: Così fan tutte
MetLiveArts 2018-2019 Review: Les Arts Florissants
Q & A: Tenor Joshua Dennis On Huang Ruo, Poul Ruders
Glyndebourne Festival 2019 Review: Cendrillon
Q&A: Moldovan Baritone Andrey Zhilikovsky On Cultivating Balance & Enjoying His Journey
Glyndebourne Festival 2019 Review: La Damnation de Faust
Glyndebourne Festival 2019 Review: Il Barbiere di Siviglia
New York Opera Fest 2019 Review: Divaria Productions' 'The Human Voice'
New York City Opera 2018-19 Review: Stonewall
The Juilliard School 2018-19 Review: Don Giovanni
The Santa Fe Opera Previews 'The Thirteenth Child' In NYC
MasterVoices 2018-19 Review: Lady in the Dark
Carnegie Hall 2018-19 Review: American Symphony Orchestra & Martinů’s ‘Julietta’
Interview: Pianist Mark Markham On Collaborating With Great Singers & Music's Power
Q & A: Timothy Myers About His Debut at Minnesota Opera and the World-Premiere of 'The Fix'
Juilliard Opera Theatre 2018-19 Review: Dido and Aeneas
NYC's The Kitchen 2019 Review: Robert Ashley's 'Improvement (Don Leaves Linda)'
Juilliard 2018-19 Review: The Turn of the Screw
music
Bandcamp
Classical Music
ALICE demos
Not in Print
contact
Email: jennifer.pyron@gmail.com
